Please use this identifier to cite or link to this item: http://hdl.handle.net/10311/1526
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dc.contributor.authorRapoo, Connie-
dc.date.accessioned2016-10-31T09:03:46Z-
dc.date.available2016-10-31T09:03:46Z-
dc.date.issued2013-12-11-
dc.identifier.otherhttp://www.ub.bw/ojs/index.php/pula/article/view/522en_US
dc.identifier.urihttp://hdl.handle.net/10311/1526-
dc.description.abstractMythic-historical narratives, oral legends, popular culture, and traditional marriage rituals offer African traditional forms of performance that shed light on the nature of sexual politics in Africa as well as practices of black female expression and popular resistance. These performance forms contribute to the circulation of negative constructions of black African women. This article sets up a genealogy of the image that begins with oral narratives and continues through portrayals of actual women.It examines misogynistic and stereotypical depictions of women in the Botswana collective cultural imaginary and in transnational forms of representation.en_US
dc.formatapplication/pdfen_US
dc.language.isoenen_US
dc.publisherUniversity of Botswana; www.ub.bwen_US
dc.sourcePula: Botswana Journal of African Studies; Vol 27, No 1 (2013), Issue No. 48; pp. 5-25en_US
dc.subjectBotswana popular cultureen_US
dc.subjectfeminine identitiesen_US
dc.subjectexoticized sexualityen_US
dc.titleConstructions of traditional womanhood in Botswana myths and popular cultureen_US
dc.type.ojsPeer-reviewed Articleen_US
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